WCA #121 with Jim Greer

Working Class Audio Session #121 with Jim Greer!!!


Jim Greer is a Bay Area record producer who has massed a wide variety of credits through many years of wielding multiple instruments and knowing how to fiddle some knobs. Highlights included writing and producing with or for: Galactic, Macy Gray, Handsome Boy modeling School, Cyndi Harvell, Andrew St.James, Diegos Umbrella, MC Lars, Del the Funkee Homosapien, Irma Thomas, Rondo Brothers, Butterscotch, and many more, including lots of writing and placing music in various films, tv shows, and commercials…
Matt and Jim sit down for an in person talk that covers Jim’s approach to making records, business and how the death of his son Teddy has shaped his view and approach to life.

Jim’s Site: http://digitalchildren.net/

WCA #120 with Will Russell

Working Class Audio Session #120 with Will Russell!!!


Will Russell is the owner and chief engineer at Electric Wilburland Studio, which is located in an old Baptist church in Newfield, NY. He has been working in audio since the age of 17, when he first started doing live sound. Will continues to mix live at regional music festivals for bands like The Horse Flies and Sim Redmond Band. His most notable tour was mixing for Rusted Root from 1994-95.

After being on the road, Will switched his focus to running Electric Wilburland full time,  where he records and produces mostly local and regional artists– and has been for 30 years. Past clients include The Samples, Madder Rose, Martin Simpson, The Horse Flies, Joe Crookston and Donna The Buffalo. He won a Grammy in 2009 for recording the album “Douga Mansa” with kora player Mamadou Diabate.

Three years ago, Will joined the staff at The Park School of Communications at Ithaca College, where he teaches audio production part time. He also teaches a handful of young engineers and interns at Electric Wilburland year-round.

Show notes

Ben Bernstein Episode


Will’s Studio


Kurt Cochran Go Fund Me


WCA #119 with Tucker Martine

Working Class Audio Session #119 with Tucker Martine!!!


Tucker Martine is a record producer, musician and composer and the son of singer and songwriter Layng Martine, Jr.,  Tucker grew up in Nashville, Tennessee where he played in bands and tinkered with recording devices before moving to Boulder, Colorado after graduating from high school. In Colorado, Martine was a DJ at a public radio station KGNU. He would frequently play two or more records at once on the air to experiment with creating new sounds. Martine also took courses at the Naropa Institute where he studied sound collage and befriended Harry Smith – the ethnomusicologist, artist and Kabbalist – who made a large impression on Martine.

1993, Martine moved to Seattle, Washington where he began to combine his skills and interests. He joined Wayne Horvitz‘s chamber group The 4 Plus 1 Ensemble where Martine’s instrument was a series of looping and sound manipulating devices which were fed by the groups otherwise acoustic instruments. Martine received a Grammy nomination in 2007 in the “best engineered album” category for the Floratone album with Bill Frisell on Blue Note. He has also released several albums of his field recordings. As a composer and musician Martine has released 2 albums under the recording pseudonym Mount Analog and a 3rd one is on the way. Additionally, Microsoft called upon Martine’s creativity when they asked him to help compose the startup and branding sounds for Microsoft’s new operating system Vista. Today Martine lives in Portland, Oregon with his wife, singer songwriter Laura Veirs and continues to make records in his own studio, Flora Recording & Playback.

Tucker has worked with artists such as The Decemberists, R.E.M., My Morning Jacket, Modest Mouse, Beth Orton, Neko Case, Mudhoney, Bill Frisell, Sufjan Stevens, Spoon, Grandaddy, Mavis Staples, Iron And Wine, The Jayhawks, Karl Blau, Edward Sharpe And The Magnetic Zeros, Blind Pilot, Camera Obscura, Stephen Malkmus, k.d. lang, She and Him, M Ward, Case/lang/veirs, Jesse Sykes and Laura Veirs.

WCA #118 with Tyler Crowder

Working Class Audio Session #118 with Tyler Crowder!!!


Tyler Crowder is a freelance recording/audio engineer in the San Francisco Bay Area, who enjoys working in various recording studios, where he’s done projects with both artist on major labels including Sony, RCA, Def Jam, GOOD Music, Windham Hill, Arista Records, B&G, Dancing Cat, etc. as well as  with a diverse range of local indy bands.  By working with a diverse range of major artists and local indy artist, it allows Tyler to be fluent in all styles of music, and be able to contribute to the local community of musicians and bands that surround the San Francisco Bay Area. Over the years Tyler has earned 2 Grammy nominations for audio engineering, and participated in many Billboard Charting Albums. Tyler has worked with numerous artists including Kanye West, Justin Bieber, Jennifer Hudson, Lil’ Wayne, Snoop Dog, George Winston, Melvin Seals, Tuck & Pattie, Joan Jeanrenaud, Phil Aaburg, Henry Butler, Dave “Dave’s Hands” Jackson, Keola Beamer, Cyril Pahinui, Bola Sete, Professor Longhair, Steven, Damian, and Ziggy Marley, and the Los Lonely Boys along with many other artists.

More on Tyler www.noisedrop.com

WCA #117 with Cesar Mejia

 WCA #117 with Cesar Mejia

Working Class Audio Session #117 with Cesar Mejia!!!


Cesar Mejia is an L.A. based engineer and producer born and raised in Boyle Heights in East Los Angeles. Besides engineering and producing he is a faculty member at Cal State Dominguez Hills where he teaches audio recording courses for the Digital Media Arts program. Cesar has a unique approach of putting his clients at ease, allowing the artist to perform at their optimal. Cesar’s methods and skills have allowed him to maintain an ever-growing list of clients like: Herbie Hancock, Wayne Shorter, Brian Eno, Bill Withers, Will I. Am, Beatmo, Chicago, Zach de la Rocha, Mezklah, Wayne Shorter, Hurley Clothing, Hanoi Counsel for the Arts Vietnam, Sting, Joni Mitchell, Al Geroe, George Duke, George Benson, Motorhead, Monte Carlo 76, Natashia Williams, Brujeria, Nathan East, Los Lobos, Marcus Miller, Aztlan Underground, Chicano Son, Amazon Gold Foundation, Andy Garcia, Most Eligible Basturds, Marisa Ronstadt, Susan Egan, & Kenny Moreno. Constantly working on projects of multiple magnitudes, he fully dedicates himself and applies the same enthusiasm to all his clients.

Cesar speaks with Matt about all things WCA from The Shelter Studios in Los Angeles.

More on Cesar’s studio http://theshelterstudios.com/

WCA #116 with Mark Kilborn

Working Class Audio Session #116 with Mark Kilborn!!!


Mark Kilborn is a sound designer, mixer and implementer with over a decade of experience in the video games industry. He has worked on various game franchises including Borderlands, Forza Motorsport, Brothers In Arms, Tony Hawk and Project Gotham Racing. For the last seven years he has served as one of the Audio Directors for the Call of Duty series, collaborating with teams of sound designers around the world on various projects including Modern Warfare 3, Advanced Warfare, Black Ops 1-3, Exo Zombies, Call of Duty Online and Modern Warfare Remastered. After he and his wife had twins in 2015, he setup a home studio and continues to contribute to the Call of Duty series as a Principal Audio Designer. He lives in Madison, WI with his wife, three kids, two dogs and too much snow. Mark flew to San Francisco for the Game Developers Conference recently and met Matt at a Starbucks to talk about Mark’s world in game sound.

Mark’s list of credits include , Call of Duty 2017 Call of Duty: Modern Warfare Remastered (PS4/XB1/PC) Call of Duty: Black Ops 3 (PS4/XB1/PC) Call of Duty: Exo Zombies (PS4/XB1/PC) Call of Duty: Advanced Warfare (PS4/XB1/PC) – Nominated for BAFTA, AIAS awards for sound – Winner, GANG Sound Design and Audio of the Year awards Call of Duty: Ghosts (PS4/XB1/PC) Call of Duty: Black Ops 2 (360/PS3/PC) Call of Duty Online (PC) Call of Duty: Modern Warfare 3 (360/PS3/PC/WII) – Nominated for BAFTA, AIAS, GANG and MPSE awards for sound Call of Duty: Black Ops (360/PS3/PC/WII) Singularity (360/PS3/PC) Forza Motorsport 3 (360) Dr. Awesome Microsurgeon MD (iPhone) Borderlands (360/PS3/PC) Brothers in Arms: Hell’s Highway (360/PS3/PC) Samba De Amigo (Wii) Project Gotham Racing 4 (360) The Club (360/PS3/PC) Boom Boom Rocket (XBLA) Tony Hawk’s Project 8 (360/PS3) Bionicle Heroes (NDS)

Show Notes:






WCA #115 with Kurt Ballou

Working Class Audio Session #115 with Kurt Ballou!!!


Kurt Ballou is a musician and producer, best known as the guitarist from Massachusetts-based band Converge. Aside from his role in Converge, Ballou is a prolific producer, recording and producing out of his own GodCity Studio.  Kurt has worked with numerous bands over the last 25 years in a producing/ recording role including High on Fire, Nails, Russian Circles and Code Orange. Kurt and Matt talk over Skype discussing health, retirement, drugs, family, money and Asperger’s syndrome. Enjoy!

Show notes: Help out Mike Mchugh via https://www.gofundme.com/mikemchugh

WCA #114 with Monte Vallier

Working Class Audio Session #114 with Monte Vallier!!!


Monte Vallier grew up in the Bay Area and launched his musical career by dropping out of high school and moving to London with his band Half Church who he played  bass with. After making a record and playing tons of gigs with bands such as The Fall, Echo and the Bunnymen, and PIL,  the band called it quits in 1986. After interning at The music annex and Coast Recorders (Bay Area) Monte built his own studio with engineer Gibbs Chapman that was destroyed in the 1989 Loma Prieta earthquake . It was that same year that Monte started working with the band Swell as a bass player. They Made 5 albums and toured extensively in the 90’s and eventually signed to Rick Rubin’s Def American label in 1993. They made all their our own records starting with a Tascam 38 but then took all the recording advances and bought more gear. They built studios in LA and NYC and in various places in SF to make the records. Monte says he truly learned how to a make a proper record while working with Swell. After Monte left Swell he got busy by producing other people partnered  with Marc Capelle to pursue commercial composition, film scoring, and corporate music and audio post , formed Jet Black Crayon with Tommy Guerrero and toured a bit, making  3 albums then working on 9 solo records for Tommy. Eventually Monte partnered with Jamie Kahn and Nathan Harlow to create a recording space in San Francisco in 2006.

Monte has worked with many bands and solo artists including,
Tommy Guerrero, Wax Idols, Mark Eitzel, Sean Hayes, Oxbow, Chuck Dukowski and Blackface, Weekend, Mall Walk, Houses of Heaven, Never Young, Wild Moth, Hariguem Zaboy, Terry Malts, The Mattson 2, Young Prisms, Wax Idols, Jet Black Crayon, The Mumlers. The Soft Moon, BLKTOP Project, Vetiver, Rova Saxophone Quartet (OrchestraRova-Larry Ochs), [the] caseworker, Beautiful Machines, Tomorrow’s Tulips, Peggy Honeywell, GoJoGo, Kelley Stoltz,  Money Mark, Swell, The Japanese Motors, Erik Arnaud, My Diet Pill, Warbler, Kurt Nilsen, Ice Sun, Xiu Xiu, TODD, Bunuel, LiXi, Seventeen Evergreen, Rupa and the April Fishes, Ghost in the City, Trust.

Check Monte out at:

www.ruminatoraudio.com and www.momentamusic.com

WCA #113 with Mike Wells

Working Class Audio Session #113 with Mike Wells!!!


Mike Wells has spent the last 15 plus years mastering, complimented by a lifetime in music as a musician, music theory graduate, recording artist, and recording/mixing engineer. From San Francisco to Los Angeles, Mike has had one hell of a  journey to get to the point of working with artists such as Green Day, PARRI$, Prince, and Gridlock. While we all have career ups and downs of which Mike is no stranger, Mike also spent many years trying to decipher a medical condition that developed later in his life that was eventually diagnosed as  Epilepsy.  Not to be deterred by his diagnosis and the seizures that come as a result, Mike developed his mastering business which is known for his incredible attention to detail and going the extra mile for his clients.  After many challenges that would stop most people, Mike persevered and is now at a point where he is longer facing the daily threat of seizures with the help of 21st century medicine. The biggest take away from this interview is that Mike doesn’t have a “poor me” attitude. He is upbeat and forward thinking and that’s inspiring .  Mike joins us from his studio in Los Angeles.




WCA #112 with Frank Wolf

Working Class Audio Session #112 with Frank Wolf!!!


Although Frank Wolf’s background was in music, he found myself drawn to “the other side of the glass” and changed his studies to Physics and Electrical Engineering.  While in college, Frank also built and ran a small studio with an old ½” Scully at it’s heart. (ahh analog!) During those years, he met the folks at The Village Recorder, and when he graduated, he was immediately hired as a tech.  While there, the staff was given permission to use the studios any time they were open so Frank was able to hone his craft with many, many hours of studio time!  One of the bands he worked with got a record deal, Frank left his employ, recorded their album and has been independent ever since.  Frank worked almost exclusively on records for many years, but eventually got and took the opportunity to start in both TV and Feature Films. For the next several years, he worked on many of Disney’s and Pixar’s animated films while also meeting and developing working relationships with many other composers and film studios.

Frank talks to Matt from his home in Los Angles about his background, tech talk about his home mixing setup and the templates he uses to mix music for major motion pictures as well as finances.

Show Notes:

John Cuniberti’s ONEMIC series as mentioned in the monologue.