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Category: WCA Podcast

WCA #038 with Daniel Cantor

WCA #038 with Daniel Cantor

Daniel  Cantor is an Assistant Professor at Berklee College of music and Teaches music production in the Songwriting Department and Music Productions and Engineering Department.  Dan in 2015 received Berklee’s prestigious Fly Grant for teaching innovation and with that grant brought 2 male and 2 female outspoken Muslim Hip-Hop artists from Iraq, Syria, Jamaica and London to the Berklee campus. The artists came to teach, collaborate and perform with students and do work shops in over  25 classes discussing  gender and religion in Hip-Hop, protest music,  the nuances of teaching hip-hop at a music school, navigating Artist identity, Hip-hop production,  humor, protest and the complex roles and choices facing of Arab  and Arab Americans performers.

Originally Dan was a self producing artist in his own right w the band Hummer(on Accurate records) Dan became seduced by the role of the producer. Dan and his Studio Notable Productions have now produced many 100’s of albums for Global and American artists with various productions jobs for as diverse a crown as Aerosmith, Peggy Seager, Mr. Lif  and Thomas Mapfumo in a wide range of genres and and recently won the Domincan version of a Grammy in 2014 for best album of the year and was nominated  yet again in 2015.  He is internationally known for his Global Hip-hop work with the Label he helped launch with his cousin Ben Herson….  Nomadic Wax records, which began with the Senegalese compilations “African underground Volumes 1 and 2” that topped the charts in Africa and Europe.

He scored , mixed and helped produce the Documentary “Democracy In Dakar” that followed a Senegalese election through the eyes of its ever vigil and informed Hip-Hop  stars,  who ultimately played a crucial role in the election itself.

With Nomadic Wax Dan has produced and recorded the Trinity International Hip Hop Festival for 10 years running and through that has recorded and worked with Talib Kweli, Jean Grae , Poetic Pilgrimage, Brother Ali,  Krs -One, Dead Prez to name a few out of over 100’s of both global and American hip-hop  artists.  He is proud to have helped produce and master the “World Hip Hip Women” compilations volume one and two.  Much of the music he loves working on is political in nature.  “The story behind a piece of music is its life force” . The anti bush song “ Asshole”  he co-wrote and produced with the boston band Jim’s Big Ego got 4 millions downloads in 6 months way before YouTube was even around.   Even before teaching at Berklee he donated his studio and talents to student winners of  Berklee’s “Music for Social Change Competition” and was music and financial executive producer for albums by artists from Mali,  Zimbabwe, Cape Verde, Jamaica, India, Senegal, Italy,  and Iraq.  Dan helped US Peace keepers create recordings to teach indigenous language to border conflict deployed troops.  Dan produced tracks with and for popular Congolese artists working with USAID to bring unity back to a community ravaged by violence against families but especially women.  Dan recently recorded the Sierra Leone Refugee all-stars at his home to spread positive radio messages about Ebola prevention through out Africa.

Dan links his heartfelt feminist leanings to his grandmother Lucille,  who taught him to be vocal and stand against injustice.  She was an early president of the League of Woman voters and was arm and arm with her friend Carrie Chapman Catt.

You can see Dan in the 2015 Aljazeera documentary about the brilliant female Muslim duo Poetic Pilgrimage called  “Hip-hop Hijabs”.  He is beardless but none the less vigilant.

Busy guy! Dan talks with Matt about selling gear, global Hip Hop, running a commercial studio in his house where his family lives as well as speaker placement.

Dan’s bio from Notable.com

Notable.com
NomadicWax.com
Bigego.com

WCA #037 with Sean McLaughlin

 

WCA #037 with Sean McLaughlin

Sean McLaughlin loves a lot of things, but his two favorite things are his wife and recording/mixing songs. After working in Los Angeles for the early part of the 2000s with some notable producers (Andy Johns, Jimbo Barton, Carmen Rizzo) and artists (Rush, Elliott Smith, Marilyn Manson, Death Row Records) Sean returned to Boston in 2004 to open his own studio, 37’ Productions. Since opening his studio Sean has been working on projects and with artists both regionally and nationally. Some of the artists with whom he has plied his trade are Matchbox Twenty, Queensryche, Dirty Vegas, Sarah Blacker, Kristen Merlin, Rafael Moreira, and Dark New Day, as well as ABC, NBC, CBS, Fox, MTV, and ESPN. In 2013, Sean had the honor of being named Producer of the Year by the New England Music Awards. Since the beginning of 2013, he has mixed over 500 songs. In 2014 he authored Mixing with iZotope, a comprehensive mixing guide for beginner to intermediate mixers. Sean also teaches Music Production and Engineering at Berklee College of Music and Audio & Media Technology at the New England Institute of Art.  Sean and Matt discuss studio ownership, insurance, retirement, alternative jobs for recording engineers as well as numerous other career-related topics.

37ft.com

WCA #036 with Warren Huart

 

WCA #036 with Warren Huart

Warren Huart is an English music producer/songwriter and multi-instrumentalist based in Los Angeles. He has played a fundamental part in the creation of many platinum-selling and billboard soaring albums, as well as the development of many of today’s most successful artists’ careers. He also has the Produce Like A Pro video series, which offers recording tutorials to beginners as well as Spitfire Music, a one-stop music house focusing on licensing music for film and tv.

Warren is known for his hard work ethic, positive attitude and respect for the artist’s vision. Many of his long term relationships have turned into close friendships. With over 20 years of experience in the ever-expanding music industry (record production, engineering, mixing, and songwriting), as well his extensive knowledge of both modern and vintage musical equipment and instruments, Warren manages to create the most diverse sound around.

Warren and Matt talk about vintage gear, work-life balance, commutes, kids and populous politics in the music industry.

www.warrenhuart.com

WCA #035 with Catherine Vericolli

WCA #035 with Catherine Vericolli

Catherine Vericolli lives in a recording studio, or rather her studio has taken over most of her residence since its beginnings in 2005. As an owner, engineer, and occasional tech at Fivethirteen Recording in Phoenix, AZ, she is dedicated to keeping the traditional analog recording process alive in the desert. Going on a decade of being in business, Fivethirteen has grown out of its local musician homestead roots into a stop-off for touring nationals and international bands, guest engineers, and home for the occasional film score. Added on in 2010, Fivethirteen’s mixing suite has become one of Arizona’s premier mixing destinations, and with the installation of an RND 5088 in it’s tracking control room during the summer of 2013, Catherine has since taken on the studio’s management position full time. She also coedits and writes for Pink Noise Mag (pinknoisemag.com), an online pro audio publication dedicated to increasing the diversity and intellectual tradition of the practice of record making.

Catherine joins Matt for a chat about the challenges in building and running a residential studio in a market not known for its music scene, her role in Pinknoise (pinknoisemag.com) with Allen Farmello (WCA # 031) as well her love for analog recording.

513recording.com

WCA #034 with Mark Rubel

WCA #034 Mark Rubel

Mark Rubel is Co-Director of Education and Instructor at The Blackbird Academy, an intensive recording school at famed Blackbird Studios in Nashville, TN. Since 1980, Mark has made about a zillion recordings at his Pogo Studio in Champaign, IL (currently reopening in Nashville), including such artists as Allison Krauss, Jay Bennett, Ludacris, Hum, Adrian Belew, Melanie, Fall Out Boy, Duke Special, and many others.! !

Mark has taught audio, music business and other subjects at the college level since 1985, and presents audio panels and workshops for various schools and professional organizations around North America. He writes occasionally for recording magazines, including his Tape Op interviews with Les Paul and Terry Manning, with more coming soon. Mark also works as an audio consultant and legal expert witness. His band Captain Rat and the Blind Rivets has been rocking East Central Illinois and beyond for 35 years and counting. Mark continues to cultivate students, cats, songs and friendships in The New Center of the Universe (Nashville), along with his saintly wife Nancy and their intrepid guinea pig, Huckleberry.
 
Mark talks with Matt about his role at The Blackbird Academy, (career planning, money management, mentoring), what he learned in 34 years of studio ownership, what makes Champaign, Illinois special and why Nashville, Tennessee is great place to call home.
 

WCA #033 with Joe Barresi

WCA #033 with Joe Barresi

Joe Barresi has produced, engineered, and mixed some of the most important hard rock, metal, and punk bands of the last 15 years including Tool, Queens Of The Stone Age, Bad Religion, The Melvins, Skunk Anansie, Turbonegro, and Clutch.

Although widely respected for his abilities as an engineer (one writer wrote “If you don’t generally think of sound production as an art form, you don’t know Joe Barresi”), Joe is first and foremost a musician. He started playing guitar when he was 7 and played in local bands in New York and in Florida. He studied classical guitar, piano, and music theory at the University of South Florida and the University of Miami. Joe also studied engineering and spent hundreds of hours recording local bands, developing patience and understanding for what goes on in the studio.

A trip to the West Coast inspired Joe to move to Los Angeles where he began working his way up the ladder by assisting at numerous local studios. In time, he engineered for many well-respected producers including David Kahne, Michael Beinhorn, and GGGarth Richardson, and gained a reputation for getting great sounds, particularly with guitars and drums.

Soon Joe was producing and mixing records on his own. He produced, recorded, and mixed the debut album for the newly formed Queens Of The Stone Age, which was unsigned at the time. The self-titled album was eventually released by indie label Loose Groove and garnered lots of attention from the press (Rolling Stone named Queens Of The Stone Age one of the ten most important hard & heavy bands of the year) and alternative radio (including KROQ) — all of which landed the band a deal with Interscope Records.

Over the years, Joe has consistently worked with quality artists and made some of their more seminal records — Weezer “Pinkerton,” Melvins “Stoner Witch” and the Queens Of The Stone Age debut, to name a few. His discography reflects his impeccable ear for great rock music.

Joe chats with Matt about his start, studio ownership,  how an SSL impacts the electric bill, insurance, covering your ass, and a few thoughts on phase. Enjoy!

http://www.joebarresi.com/

http://www.mcdman.com/barresi

http://futureofmusic.org/

WCA #032 with Myles Boisen

WCA #032 with Myles Boisen

Myles Boisen has enjoyed a 35-year career in recording, beginning as the head instructor at one of the country’s first accredited university-level recording studio programs. With his roots in the punk rock/ D.I.Y. recording scene of the late 1970’s, Myles has avoided the world of major labels and top-dollar studios, choosing instead to pursue affordable and top-quality recording from his Oakland CA. Guerrilla Recording/ Headless Buddha mastering complex for the past 20 years.

Boisen’s articles and reviews over a ten-year span at Electronic Musician magazine were known for fiercely high standards, and a no-nonsense attitude that made him many friends among recordists and readers, as well as a few enemies in the corporate pro audio world! Along the way there have been Grammy nominations, film soundtracks with David Lynch and composer Fred Frith, and sessions and gigs with a who’s who of the avant-garde, jazz, out-rock and blues worlds (Tom Waits, Anthony Braxton, Nina Hagen, Fred Frith, John Zorn, Kronos String Quartet, The Tigerlillies, Klaus Flouride (Dead Kennedys) Kim Wilson, Camper Van Beethoven, Malcolm Mooney (Can), Seth Ford-Young (Edward Sharpe and the Magnetic Zeros), Johnny Dyer, Rick Estrin, Francis Clay (Muddy Waters).
 
Myles  joins Matt for an in depth discussion on studio ownership, retirement, gear lust on Working Class Audio session #032. Listen for a code to get a discount on Sonarworks speaker calibration software.
 
A searchable archive of Myles’ writing for Electronic Musician magazine is available at www.emusician.com

WCA #031 with Allen Farmelo

WCA #031 with Allen Farmelo

Allen Farmelo has begun to call himself a “recordmaker”.”We all do everything these days,” he says, “and the old terms like producer,  engineer, mixer, carry so many assumptions that aren’t really accurate these days. They have their roots in a much more ordered hierarchy that’s rarely true today.” As a record maker, Allen has worked intimately with everyone from Ian Gillan of Deep Purple to The Cinematic Orchestra. Allen has also worked with a slew of rather huge pop artists that he doesn’t put on his discography because, as he puts it, “Fattening up one’s discography with incidental big-name sessions doesn’t tell the real story. I just put the stuff on there that’s really got my fingerprints all over it. That way people know what I’m truly inclined make.” Restlessly pushing for the return of high fidelity as a popular interest, fighting to raise the female participation in our field beyond 5% with his publication Pink Noise (co-edited with Catherine Vericolli), writing classic essays about recording like his “Sonic Varnish” piece (he coined the term), building one of the most beautiful recording consoles ever with François Chambard of UM Project, launching Elska, which is known as Bjork for Children, with his life-partner,  and now running the decidedly artsy record label Butterscotch Records, Allen has eschewed the temptations of mainstream success (including a nicely salaried position at one of the Big Three) to pursue endeavors on the fringes where he seems to thrive. He recently bought a one room schoolhouse built-in 1873.  About an hour from New York City, and has relocated home and studio to the schoolhouse where he’s become obsessed with gardening.

Photo by Evelin Cheugn (taken at The Bunker Studio in Williamsburg, Brooklyn NYC)

WCA #030 with Bruce Kaphan

WCA #030 with Bruce Kaphan

Bruce Kaphan is a producer/engineer/mixer and one hell of pedal steel player! Bruce has worked with so many names in the music world on both sides of the glass including John Lee Hooker, Sheryl Crowe, Jellyfish as well as American Music Club of which he is a former member of. Bruce sits down with Matt at his home studio in Fresno (Niles), California to discuss all aspects of the recording world including health, life, gear, retirement and even bra