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Category: WCA Podcast

WCA #218 with Nick Luca

WCA #218 with Nick Luca

Nick Luca is a multi-instrumentalist musician, singer/songwriter/composer, music producer and audio engineer. He has toured throughout Europe, USA, Mexico, Canada and Australia with Iron and Wine, Calexico, John Doe (X) and his own band, Luca. As a session musician and audio engineer, Nick has credits on over 100 albums with artists such as Neko Case, DeVotchka, Robyn Hitchcock, Margaret Cho, M Ward, Darren Hanlon and many others. 

About this Interview:

Nick joins me to talk about scenes, spirit animals, Calexico, Los Angeles, Kelsey Grammer, recording Hip Hop and diversification. Enjoy!-Matt

Show Notes and Links

WCA #217 with Tony Maserati

WCA #217 with Tony Maserati

Tony Maserati is a Grammy Award winning mixer, and record producer / engineer. He was involved in the development of the New York R&B and Hip-Hop scene in the 1990s, working with Mary J. Blige, Notorious B.I.G., Puff Daddy, and Queen Latifah. Since then, he has worked on Grammy nominated projects with Beyonce (who he won “Best R&B Album” in 2003 with “Dangerously In Love”), Jason Mraz, Robin Thicke, Usher, and Selena Gomez. Tony has been nominated for a total of 10 Grammys, with four in the “Best Engineered Album, Non-Classical” category.

About this Interview:

Tony joins me to talk about his 90’s New York history, early adoption of technology, setting goals, contracts, not working for free and hip hop. -Enjoy

Show Notes and Links

WCA #216 with Adam Gonsalves

WCA #216 with Adam Gonsalves

Working Class Audio #216 with Adam Gonsalves!!!

Adam Gonsalves has mastered over a thousand releases from artists around the world. He is equally at home mastering for digital formats and cutting lacquers for vinyl. Prior to mastering Adam worked for 7 years as a tracking and mixing engineer at Anchorhold Recording. From 2010-2013 Adam also produced the Square Cad Mastering Podcast. In 2017 he was featured in the book Why Vinyl Matters. Adam received a master’s degree in Music Technology from New York University. Adam is  approved to provide Mastered for iTunes masters. Clients include: Willie Nelson, Peter Buck, Elliott Smith, Sleep, Blitzen Trapper, The Last Artful Dodgr, Sufjan Stevens, Pure Bathing Culture, Tender Loving Empire, Southern Lord, TKO, Living Music, Crane City Music, Typhoon, My Brightest Diamond, Dead Moon, Emma Ruth Rundle, Steve Aoki, Poison Idea, Rogue Wave, Ty Segall, Pelican, John Craigie, Earth, Horse Feathers, Blackwater Holylight, Calvin Johnson, Haley Heynderickx, Widowmaker, and many more. Additional credits available at Sound Credit.

About this Interview:

Adam joins me to talk about the Square Cad Mastering podcast, interrogating your own workflow, his journey into lacquer cutting and his work/life balance. -Enjoy


Show Notes and Links

WCA #215 with NAMM 2019

Working Class Audio #215 with NAMM 2019!!!

NAMM 2019 was fantastic as usual. Always so much to see. This episode is a little different compared to the others. Many WCA alumni come back for interviews including Vance Powell, Chris Selim and Lij Shaw and Alex Oana makes his debut explaining how his new venture Audio Test Kitchen works.

About this Interview:

I hang out with Vance Powell as he tells me about his recent projects with The Stray Cats and Trey Anastasio. Alex Oana tells me all about Audio Test Kitchen and we wrap up with a semi-drunken ambush interview with Chris Selim and Lij Shaw at our AIRBNB. Enjoy! -Matt


Show Notes and Links

WCA #214 with Bart Thurber

Working Class Audio #214 with Bart Thurber!!!

What started as a hobby,  soon became an obsession that led me to start House Of Faith Studios in Palo Alto. When the graffiti covered building was torn down, my studio moved to Oakland. After 28 years, recording over 700 bands, I’m still amazed by the musicians I work with. Every band I’ve recorded has something unique and remarkable about them. I truly enjoy helping people achieve the recordings that they hear inside. As I tell my bands : ” I want this recording to sound like you, only more so. “

About this Interview:

 I head over to House of Faith in Oakland for a chat with Bart about the most common musician personality types, people skills, studio sharing and his recent (2014) transition from analog to digital. Enjoy! -Matt


Show Notes and Links

 WCA Patreon Subscriptions: http://www.patreon.com/workingclassaudio
 Barts site: http://www.bartthurberrecording.com/
 Chris Selim’s Cubase Course: https://mixdownacademy.thinkific.com/?ref=98cf4b
 Audio-Technica: https://www.audio-technica.com/world_map/
 UA Promo: https://www.uaudio.com/uad-accelerator-promo
 AEA R88: https://www.aearibbonmics.com/products/r88/
One Mic Series: https://www.youtube.com/channel/UCGQDixBKOy2ZqIXABrAD__g
 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/
 WCA on Youtube: https://goo.gl/g5nsWG

WCA #213 with Ken Riley

Working Class Audio #213 with Ken Riley!!!

Ken Riley’s career started in 1980 at 3D Studio’s in Costa Mesa with Doug Doyle. Recording such names as The Altor Boys, Crumbacher, Daniel Amos and The Life Savors. Then creating the group Common Bond where he was lead vocalist, and the bass player. Common Bond toured and had 3 albums on Front Line Records. Then moving his career along to New York at Electric Lady Studios where he worked with the best in the industry. Bringing it to today where he is in his own well established Rio Grande Studios in Albuquerque, New Mexico recording.

8 ½ years as traveling musician and recording artist, producing two gold records.
10 years as engineer and musician in Los Angeles, 
8 ½ years as engineer in New York City at: Electric Ladyland Studios. 
Unique Studios.
PowerStation, 
Fantasy, 
10 years of operating  a studio in New Mexico.

About this Interview:

Ken joins me to talk about his history, his hunt for the New Mexico sound, the importance of artists knowing who they are, his partnership with Drew Newman and the beauty of New Mexico and it’s people.


Show Notes and Links

WCA Patreon Subscriptions: http://www.patreon.com/workingclassaudio
 Rio Grande Studios: http://riograndestudios.com/
 UA Promo: https://www.uaudio.com/uad-accelerator-promo
 AEA R88: https://www.aearibbonmics.com/products/r88/
 One Mic Series: https://www.youtube.com/channel/UCGQDixBKOy2ZqIXABrAD__g
 Audio Life on Gearslutz: https://www.gearslutz.com/board/audio-life/
 WCA on Youtube: https://goo.gl/g5nsWG

WCA #212 with Gentry Studer

WCA #212 with Gentry Studer

Working Class Audio #212 with Gentry Studer

Gentry Studer grew up with a definitive love of music. He played various instruments from an early age, later joining rock bands in high school. But with a name like “Studer”, although no actual relation to the famous tape machine, he was bound for the engineering world. Gentry graduated from the prestigious Conservatory of Recording Arts and Sciences program in 2013. He moved to Los Angeles and worked under one of the most iconic mastering engineers.  In 2015 Gentry started his own company, Epicenter Mastering. In 2016 the operation moved into Paramount Recording Studios in Hollywood, California. In 2018 Epicenter Mastering relocated down south to Nashville, Tennessee in the historic RCA Studio A building.

His combined creative and technical backgrounds have informed Gentry’s approach to the art of mastering– not only to preserve and enhance the sonic qualities of an artist’s vision in the mix but also to bring across its feel and emotional intentions.  As he puts it, “it’s amazing the advances on the technical side and what it allows us to do but you can also fall into its trap. My musical background and extensive ear training allow me to go off feel, not just a spectrum analyzer.” “The idea is to preserve the recordings life, passion and blood sweat and tears the artist has poured into their work.” 

Gentry loves to stay busy in the studio – equating mastering projects with “having the privilege of meeting new interesting people everyday.”  When he’s not working he spends time seeing live music, enjoying the outdoors, trying craft beers and whiskeys, and eating endless amounts of hot chicken and BBQ.

About this Interview:

Gentry joins me to talk about interning with Howie Weinberg, moving around the US, his new studio located in the RCA building in Nashville and communication with remote mastering clients. Enjoy! – Matt


Show Notes and Links

WCA #211 with Jaimeson Durr

WCA #211 with Jaimeson Durr

Jaimeson Durr is a San Francisco Bay Area recording engineer, mixer and producer that works on a variety of music genres from local legends like, Sammy Hagar, Joe Satriani, Chickenfoot, The Circle, The Dead, Dan the Automator as well as many other new promising artists. For the past 14 years Jaimeson has been primarily working out of his own studio Wally’s Hyde Out (formally Studio C) in the legendary Hyde Street Recording Studio complex where many well known artists recorded including Santana, Clearance Clearwater Revival, Jefferson Airplane,The Grateful Dead, Green Day, Train, and many, many more. He has also performed on and mixed several songs for hit prime time TV shows and movie trailers 90210, The Mindy Project, Ugly Betty, Rango, Arthur, The Lorax, Tangled and many more.

About this Interview:

Jaimeson joins me for coffee at Philz Coffee in Lafayette, California to discuss his journey, his mentors, never quitting and his work with Sammy Hagar. Enjoy! – Matt


Show Notes and Links

Jaimeson’s Website: http://www.jaimesondurr.com/

Find Jaimeson at Bay Area Studio Pros

WCA #210 with David Streit

Working Class Audio #210 with David Streit

Working Class Audio #210 with David Streit!!!

David Streit is a producer, mixer, recording engineer, and live sound engineer based in Portland, Oregon. He has been working with sound for over 30 years.
David began his audio career working in clubs and venues in his hometown of Louisville, Kentucky. He loved seeing bands play live, and became an avid concertgoer. These experiences proved to be very useful when he decided to move to Nashville, Tennessee and become a recording engineer. David developed his recording skills assisting and learning from the engineers who came before him as he rose up through the studio system in Nashville. Eventually, he became an engineer and producer himself and has been a freelance audio engineer in Connecticut and Santa Cruz, California.
Now, David is happy to call the Pacific Northwest his home, and is excited to be a part of the amazing vibrant music scene in Portland. David has a bachelor’s degree in recording from Middle Tennessee State University, and learned about mic’ing classical ensembles as an intern at The Aspen Music Festival. He was a staff assistant at Quad Studios in Nashville, has taught a college course in multi-track recording and mixing, and has done location sound for video shoots. He has a passion for music and sound, and feels lucky to have been in the room for so many magic moments.

About this Interview:

David joins me to talk about Portland vs. Nashville, why musicians choose to hire engineers, prepping for live recordings, security, mortality and legacy. Enjoy! – Matt


Show Notes and Links