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WCA #209 with Mike Stevens

WCA #209 with Mike Stevens

Mike Stevens is a Producer, Engineer, Drummer & Percussionist. A life-long lover of music, bringing more than 20 years working as a professional musician throughout the US and abroad, as well as a decade of producing, recording, and mixing San Francisco Bay Area bands. Coming from New York City in 2006, his diverse experience has brought a unique perspective into his work. He has been called upon to work with many San Francisco artists and bands (including ska pioneers The Uptones and Red House Painters/Sun Kil Moon frontman Mark Kozelek), as well as playing percussion for Donna Summer’s 2008 Crayons tour.  He has a deep understanding of what makes a song great, both as a musician and listener, in the studio, on stage, and on the air. Mike started his own Recording Studio in 2009 to establish an artist-friendly hub for creators of great music and the people who listen to it. When he isn’t touring or performing on stage, he dedicates his time to working with new and seasoned artists, helping them discover what is authentic and unique to them.

About this Interview:

Mike joins me to talk about how he combines the world of recording with the world of homeschooling for his kids, helpful landlords, picking the right gigs and the authenticity of the performance.  Enjoy! – Matt

WCA #208 with Manny Sanchez

WCA #208 with Manny Sanchez

Manny Sanchez began his professional career in audio in 1999 as an unpaid intern at Chicago Recording Company. He had no formal training but a hunger to learn and quickly began assisting on high profile sessions. In 2000 he was the third assistant on the last Smashing Pumpkins sessions before they had their first hiatus. He befriended Billy Corgan and Billy insisted he be placed on any further sessions at CRC. In 2001 Billy formed Zwan and asked producer Bjorn Thorsrud to inform Manny that Billy would like him to engineer the demos for the band. This was a daunting task for Manny and he had to request that the demos be recorded to analog tape because he hadn’t learned Pro Tools yet. Billy agreed and eventually Manny was asked to record their album “Mary Star of the Sea” alongside producers Alan Moulder and Bjorn Thorsrud. The recording of this record would have a profound effect on Manny and would shape his entire career.

After finishing up a long and arduous stint working solely for Billy, Manny decided he needed to branch out on his own. He built IV Lab Studios in 2004 in a 100 year old vault inside a family friend’s building in Wrigleyville. This decision to build inside a building that he did not own would play a significant roll in the life of the studio, but as a hungry young twenty-something he didn’t question the opportunity when it came to him. The studio was a great success considering the changing landscape of the music business and played host to the best of local talent as well as national acts. It was within the walls of IV Lab that he solidified his relationship with jam/prog favorites Umphrey’s McGee, as well as pop-punk icons Fall Out Boy, both of whom he still works with today,

In 2012 the building that housed the studio was lost to foreclosure and the new owners wanted nothing to do with the studio. This crossroads put things into perspective for Manny and he began to seek out new homes for the business as well as other potential work that was in line with his experience. Luckily for the studio, it found a new home in Lincoln Park with some new partners that owned the space so the hope was it would be its forever home. Manny was happy the studio would survive but also unsettled by his own career trajectory and ready to make a change.

 In late 2012 he was contacted by former Fall Out Boy tour manager Dan Suh and asked if he could come to LA and engineer for PSY at the height of his “Gangnam Style” popularity. This wasn’t the most ideal creative outlet for Manny but it was an opportunity he couldn’t pass up. The gig was open-ended and he remained in LA after it was over and planted his roots.

About this Interview:

Manny joins me to chat about his early experience in Chicago working with Billy Corgan, studio ownership, the cost of real estate, working with Psy in smoky control rooms and his ever-expanding world of post working on film trailers in LA. Enjoy! – Matt

Show Notes and Links

WCA #207 with Brian Gibbs

WCA #207 with Brian Gibbs

Brian Gibbs is Producer, Engineer, and Owner at Tool Shed Studios (70+ record credits 2017). An accomplished musician and performer with a B.M. Degree from Berklee College of Music, he brings his diversified portfolio of skills and passion past the stage to his roles as a producer, studio engineer, FOH engineer, music teacher (percussion, keyboard, strings, and vocal instruction), and as a mentor to the college interns at the studio. 

  • Assistant Engineer (pre-production) 2015 Grammy-winning album “Realidades”/ Los Tigres Del Norte
  •  AES San Francisco Treasurer (3 years)
  •  AES International Diversity & Inclusion Committee
  •  Audio GANG Member
  •  Berklee College of Music Alumni Committee
  •  Recording Academy Voting Member
  •  Recording Academy P&E Wing Advisory Committee (SF Chapter)
  •  Recording Academy District Advocacy Captain

About this Interview:

Brian joins me for a one on one chat about immersive audio, the details of running a studio business, buying your neighbors wine and making your bed. Enjoy! – Matt

Show Notes and Links

Credits:

  • Guest: Brian Gibbs
  • Host: Matt Boudreau 
  • WCA Theme Music: Cliff Truesdell 
  • Announcer: Chuck Smith
  • Editing: Matt Boudreau
  • Additional Music: The License Lab

WCA #206 with Music Expo SF

Working Class Audio #206 with Music Expo SF

WCA #206 with Music Expo SF

Hosted in association with Sound On Sound Magazine, Music Expo is a series of annual events full of workshops, lectures, studio sessions, discussions, and product demos bringing 3,000 musicians, engineers, technophiles, and tastemakers together. The event was the idea of Loïc Maestracci who does an amazing job bringing people together. WCA #206 is just one of many panels that takes place at Music Expo as well as many lectures and workshops. 

About this Interview:

I was headed out the door to appear on a panel for Music Expo SF when I saw a notification on Twitter from Matt Carnes of Colorado Recording. Matt asked if I would be recording the panel. To be honest it never occurred to me until I read Matt’s tweet. As a result I was able to capture my conversation with Karrie Keys, Piper Payne, Brian Gibbs and Frank Socorro for a panel called “Survival of the Fittest – How to Really Make A Living In Audio”. Enjoy! – Matt

Show Notes and Links

WCA #205 with Frank Socorro

Working Class Audio #205 with Frank Socorro

WCA #205 with Frank Socorro

Franklin Emmanuel Socorro started his audio career in the early 2000s working in the Miami area recording the diverse styles that happen in a city that’s such a melting pot. During that time an opportunity to work on a Bad Boy project put him on a fast track that led to him working with artists such as Mary J Blige, Lenny Kravitz, and Lauryn Hill. Eventually, he would land a position as head engineer for super-producer Salaam Remi. This new position brought a wider range of projects from Nas and Cee-Lo to major motion picture work for Rush Hour and Sex and the City. Along the way came 5 grammy nominations and several gold and platinum plaques. He currently operates his own studio while working with the future of audio at the SAE Miami campus

About this Interview:

Frank joins me to tell of his incredible story of his rise to the top and the thing that changed it all, his early training with Charles Dye, working with Salaam Remi, Diddy, Tony Maserati, and finding peace in claiming control of his time. Enjoy! – Matt

Show Notes and Links

WCA #204 with Streaky

Working Class Audio #204 with Streaky

WCA #204 with Streaky

Streaky’s mastering journey began in 1996 when he landed his first job at Zomba’s Battery Studio in London, learning the art of compact disc mastering alongside Chris Parmenidis. The first record he mastered was ‘Return of the Mac’ by Mark Morrison, following that early Groove Armada and other 90’s club classics!

Moving on to The Soundmasters in 2000 learning how to master for vinyl under the veteran mastering engineer Kevin Metcalfe. Here working with some legendary artists including Kasabian, Snow Patrol, Usher, The Prodigy to name a few. In 2003 whilst at Soundmasters Streaky set up the world’s first online mastering studio ‘eMasters’ this method has now become the norm for mastering as the internet has developed.

2013 saw Streaky base himself at Metropolis Mastering in London, taking the opportunity of working alongside mastering legends John Davis, Stuart Hawkes & Tim Young where he continued to help artists big and small to achieve their dream sound.

2017 Streaky opened his own mastering studio within Pinewood Studios, the story continues…

About this Interview:

Streaky joins me to chat about his journey to mastering starting out as a 12-year-old DJ, his perspective on mastering, networking, minimalism, cracked plugins, and mentoring the next generation. Enjoy! – Matt

Show Notes and Links

WCA #203 with Doug Clarke

WCA #203 with Doug Clarke

WCA #203 Doug Clarke

Doug Clarke is a passionate audio engineer, mixer, sound designer, and musician. Based in Sydney’s Inner West, Doug works as a freelance engineer at multiple studios. Working with
artists and songwriters as well as doing sound design and mixing for TV and Films. Following his graduation from the Queensland University of Technology in 2013 with a Bachelor
of Music, Doug worked at Hunting Ground Studios recording bands such as  Bay Harbour, Sun Heights (Pee Records), Matt McGuire, SkullClub (Sony), Skies
Collide, First Sight, El Monstro, and Courtney Heaton. After an intense 18 months of recording nonstop, Doug moved to Sydney in late 2015
and began working at various studios such as One Flight Up and A Sharp Recording. Going freelance in late 2016, Doug extended his audio network into post-production by working at Two Dogs TV, Warner Bros ITVP, and Endemol Shine. 2018 has been a busy year for Doug as he finished producing and mixing the debut record with Vacant Shade at Arthur Street Studios, mixing Channel 10’s hit new shows ‘Pointless’ and ‘Bachelor in Paradise,  as well as doing sound design/effects editing for  ‘Under the Cover of Cloud’ (Melbourne International Film Festival 2018), Living Universe (Event Cinemas), and ‘Own The Sky’ (TBC).

About this Interview:

Doug joins me to talk about his journey from university in Brisbane to moving to Sydney and jumping into the world of live sound, studio recording, and post-production.  From survival, mistakes,  and negotiating to picking and choosing his own gigs. Enjoy! – Matt

Show Notes and Links

WCA #202 with Mixerman

WCA #202 with Mixerman

WCA #202 with Mixerman

Mixerman, professionally known as Eric Sarafin, is a producer, mixer, and recordist with multiple gold and platinum sales awards to his name. After 25 years of operating out of Los Angeles, Eric currently resides in Asheville, NC, where he produces and mixes acts from around the world. Eric has worked with numerous National and International acts including The Pharcyde, Tone Loc, Spearhead, The Brand New Heavies, Ben Harper, Amy Grant, Lifehouse, Barenaked Ladies, Hillary Duff, Foreigner, and Australian phenom Pete Murray, just to name a few.

Mixerman gained notoriety as an author from his first work, The Daily Adventures of Mixerman, a satire of a Major Label recording session from the early aughts that delighted and surprised well over 150,000 unique visitors. In 2008, Hal Leonard picked up his Adventures, and since 2010, Mixerman has written 5 books including Zen and the Art of Mixing, Zen and the Art of Producing, Zen and the Art of Recording, followed by another music business satire #Mixerman and the Billionheir Apparent.

His latest book Musician’s Survival Guide to a Killer Record (the only gear you’ll need) is written specifically to help today’s musicians get the engineering out of the way so that they can focus on what’s important–the music itself.

About this Interview:

Mixerman joins me to discuss his journey in recording from New Jersey to  California to North Carolina.  We discuss his time at Capitol Studios, advocating for yourself, early internet forums, the creation of Mixerman, trolling, book writing, and empowering musicians. Enjoy! – Matt

Show Notes and Links

WCA #201 with Christopher Scott Cooper

WCA #201 with Christopher Scott Cooper

WCA #201 with Christopher Scott Cooper

Christopher Scott Cooper has played guitar since age 5, composer/songwriter since age 15, and audio engineer/producer for the last 30+ years. Became a FOH mixer/Live Sound Engineer by default and spent the late 80s touring and providing services for many a band. In 1990 decided a new path in the studio was a better option and spent the next 15 years at Music Annex studios going from an intern to Chief Engineer. 15 years ago he chose the independent route and built a cozy high-end studio (Blue Seven Audio), and came full circle to being a FOH mixer again for the Fox Theatre in Redwood City and for various events and bands around the Bay Area. Experienced in live recording, live sound, sound effects capture, sound design, studio recording, toys, games, TV/Film, wiring, the system installs, computer/data management, electronics repair… all by necessity. He has also taught courses at Cogswell College and guest lectures at various Audio Institutions. Chris still writes and composes for his band New Sun, TV/Film, and various unusual ambient labels.

About this Interview:

Chris joins me at Highwire Coffee in Oakland, California for not only coffee but a chat about his time at the Music Annex, building his own studio, diversification, survival in audio, and his start in live sound. Enjoy! – Matt

Show Notes and Links

WCA #200 with Tchad Blake

WCA #200 with Tchad Blake

WCA #200 with Tchad Blake – Shooting Armadillos, Motorcycles, Buying ribs for Keith Richards, Surviving Cancer and yes…… the Sans Amp.

When I asked Tchad if he had an official bio he said…”Probably, It’s just not written down. ”  🙂

Tchad has worked with many artists including Arctic Monkeys, State Radio, Apartment 26, Elvis Costello, Peter Gabriel, Pearl Jam, Tom Waits, Richard Thompson, Brazilian Girls, Gerard Way, Sheryl Crow, November 2nd, T-Bone Burnett, Travis, Marike Jager, Crowded House, Finn Brothers, Liam Finn, The Pretenders, Bernard Fanning, Los Lobos, The Bad Plus, Sam Phillips, Suzanne Vega, The Bangles, Stina Nordenstam, Phish, Bonnie Raitt, Lisa Germano, Fishbone, Al Green, Tracy Chapman, Phantom Planet, Gomez, The Dandy Warhols, American Music Club, Jed Davis, Blitzen Trapper, Cibo Matto, Haley Bonar, David Rhodes, The Black Keys, U2, Nico Vega, Halloween, Alaska, Cheese People, Kula Shaker and Soul Coughing, Delta Spirit, The Sheepdogs, Clarance Bucaro, Charlie Mars, The Van Jets, Indy Grotto, RZA, Nive Nielsen, Mutemath, Max Gomez, Living In Question, Justin Townes Earle, Luella And The Suns, Aṣa, Nina Violet, Tracy Bonham, Little Fish, Blackroc, Gary Myrick and The Figures, among others.

Tchad has a long running partnership  with producer Mitchell Froom, and the two formed Latin Playboys with David Hidalgo and Louie Pérez of Los Lobos. Tchad of course is known for his unconventional  recording and mixing technics and his use of binaural recording. He has won a number of Grammy Awards, beginning with a Grammy Award for Best Engineered Album, Non-Classical and a Grammy Award for Best Rock Album for Sheryl Crow’s The Globe Sessions (1998). He won another Grammy for Best Engineered Album, Non-Classical for his work on Suzanne Vega’s Beauty & Crime (2007). Blake won two Grammys for his work with The Black Keys on 2010’s Brothers.

About this Interview:

Tchad joins me to talk  about his journey starting in Baytown, Texas shooting Armadillos and riding motorcycles, to Los Angeles buying ribs for Keith Richards while working at Wally Heider’s studio. We also cover his work with Mitchell Froom, surviving cancer and yes……a little discussion of mechanical filters and the Sans Amp.

Enjoy! – Matt

Show Notes and Links

WCA #199 with Pete Lyman

WCA #199 with Pete Lyman

Pete Lyman is a GRAMMY-Nominated mastering engineer based out of Nashville, TN and owner of Infrasonic mastering, an audio and vinyl mastering studio with locations in Echo Park, California and Nashville, TN. Pete has mastered Grammy-nominated projects for Panic! At the Disco, Weezer, and Grammy-award winning albums for Jason Isbell and Chris Stapleton. In 2016 he was recognized with a GRAMMY Nomination for Album of the Year for Chris Stapleton’s Traveller.

 

Pete’s music career began at the age of 14, playing bass in a number of bands in Boulder, CO, California’s Bay Area, and Los Angeles. Over the years he has shared the stage with a variety of bands including My Bloody Valentine, The Mars Volta, and Sebadoh. In 2004, Pete opened Infrasonic Sound a 2000 sqft tracking studio in the northeast Los Angeles neighborhood of El Sereno. During its tenure, the studio was host to numerous bands including The Mars Volta, Kenny Wayne Shepherd, Beck, People Under The Stairs, and Liars. By 2005, he added a mastering suite to the Infrasonic complex which became home to his 1956 Neumann AM-32B cutting lathe.

As he began to focus strictly on mastering, Pete and his studio partner Jeff Ehrenberg sold the El Sereno space, and together opened a new custom-built facility at 1176 W. Sunset Blvd in the Echo Park neighborhood of Los Angeles. In 2015, the Infrasonic welcomed mastering engineer Dave Gardner, founder of Magneto Mastering in Minneapolis, MN. Bringing over 19 years of experience and a roster including Hot Snakes, Bassnectar, and The Hold Steady, Dave currently serves as Infrasonic West’s Head Mastering Engineer.

In 2018, Pete opened his second studio facility, Infrasonic East, in Nashville, TN. Infrasonic East is now home to Pete Lyman’s custom mastering suite, the Neumann cutting lathe, and Infrasonic’s newest mastering engineer, Daniel Bacigalupi. The engineers at Infrasonic Sound continue to work with a diverse client roster – from John Prine and Dierks Bentley to Fall Out Boy and Halsey – on projects of all sizes.

About this Interview:

Pete joins me to talk about his journey to mastering inspired by Richard Simpson, the birth of Infrasonic, living in Los Angeles, moving to Nashville,  economic relaxation and learning to breath. Enjoy! – Matt

Show Notes and Links

WCA #198 with Fela Davis

WCA #198 with Fela Davis

WCA #198 with Fela Davis

Fela Davis is a graduate of Full Sail University and has over 17 years of experience in audio engineering. Her past experiences include working for industry powerhouses Clair Broadcast and House of Blues. Fela is currently the front-of-house engineer for Christian McBride. Fela co-founded 23 DB Productions with Denis Orynbekov. The company does a variety of work including mastering, recording &mixing as well as video content.  23dB has been a gateway for Fela to begin producing, shooting, and editing for endorsement and product videos for social media (Focusrite, Lewitt Microphones, and Big Joe Stomp Box). Using the videos to teach the audio community about new products and hone her skills at video production. 23dB eventually created their own video series called The Art of Music Tech. The series featured audio giants Leslie Ann Jones (Head of Skywalker Audio) and Jeff Bova (Michael Jackson, Herbie Hancock). Each featured guest talked about their career in audio and the audio gear used on their biggest hits! They have since made The Art of Music Tech video series into a weekly podcast that Fela and Denis host together. When Fela is not creating content for 23dB Productions or working with SoundGirls, she’s traveling the world mixing front of the house for Christian McBride.

About this Interview:

Fela chats with me about her 8th-grade career test that said audio engineering was a possibility, her time at Full Sail, folding airbags for Honda Accord’s, paying her dues, driving long distances for low-paying audio gigs, and her willingness to never give up.  Enjoy! – Matt

Show Notes and Links

WCA #197 with Pete Weiss

WCA #197 with Pete Weiss

WCA #197 with Pete Weiss

Pete Weiss is a New England-based producer/engineer/mixer/musician. His unfussy, organic, “artist first” work has earned him a reputation as an outstanding producer who can adapt to many musical genres and is unafraid to ignore stylistic conventions. Notable artists Weiss has worked with include Charlie Chesterman, Chris Brokaw, Kustomized, Slim Cessna’s Auto Club, Doug Yule, Moe Tucker, The Upper Crust, Aimee Mann, Lee Ranaldo, Bell X1, Drive-By Wire, One Happy Island, Kingsley Flood, Willard Grant Conspiracy, Two Dollar Pistols, Bow Thayer & Levon Helm, Don Lennon, Hayley Thompson-King and many others.

In 1989 he co-founded Zippah Studio in Boston. Selling his share of Zippah in 2004, he built and opened Verdant Studio, an “open room” retreat-style studio with artist lodging in rural Vermont which he now uses as a home base.

When not in the studio, Weiss fronts the instrumental band The Weisstronauts and is a member of the experimental pop collective known as Sool. He released a solo album in 1996 and three albums while fronting the subversive Pete Weiss & the Rock Band from 1995-2000. He has scored four independent films, “Methods” (1998), “Metal” (2001), “Bad Gravity” (with Sool 2006), and “The Arcadian Ideal” (2007).

He is a Senior Contributor for Tape Op Magazine, writing reviews of audio equipment as well as conducting interviews with recording industry figures. Over the years he has served on many panels & workshops at Tape Op’s and Potluck Audio conferences. In the early 1990’s Weiss authored two books on baseball, “Baseball’s All Time Goats” and “Longshots!”, both published by Adams Media.

About this Interview:

Pete joins me to talk about his early career and decision making, his transition to building a rural studio, the lessons learned in that rural environment and his decision to sell and try a different recording adventure. plus much more. Enjoy! – Matt

Show Notes and Links

WCA #196 with Adam Rossi

WCA #196 with Adam Rossi


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Working Class Audio #196 with Adam Rossi!!!

Adam Rossi is a music and sound producer working in San Francisco. Past projects include music production for local Bay Area artists Jeffrey Halford and The Healers, Morsifire, Brad Brooks, The Welcome Matt and Luce; music scores for VR games War Hammer: Betrayal at Calth and Bounce (Steel Wool Studios), and sound design, music and voice over for award winning toys by KID Group.
Adam’s work in the VR world has led to music, sound design and voice over work on immersive projects for the films Ready Player One and Jigsaw, Mercedes-Benz, Visa, SAP, Lexus, Sprint, LG, Kaiser, Carnival and many others.
When he’s not locked in the studio, Adam can be found playing keyboards with local Bay Area artists and jumping on the occasional tour to Europe with Jeffrey Halford and the Healers.

About this Interview:

Adam joins me to talk about his journey that started with  an 8th grade run-in with Eric Valentine to his mom’s garage to crappy midi composing jobs to making records with Tom Luce and much, much more!. Enjoy! – Matt

Show Notes and Links

WCA #195 with Sherry Klein



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Working Class Audio #195 with Sherry Klein !!!

Sherry Klein is a Post Production Re-Recording Mixer for Television and Film, she is currently living in Los Angeles, Ca. and works with Smart Post Sound in Burbank. Some of her past credits include Queen of the South, Reverie, Burn Notice, Arrested Development, Sons of Anarchy, and The Shield. She is currently a Board member of the CAS (Cinema Audio Society) and chairs their annual Student Recognition Awards.

She first became “aware” of audio while attending Berklee College of music in Boston studying Arranging and Composition. There was a small 2-track studio in the basement of the main Berklee building where she had to record her 4th semester term project. This was the experience that she remembers as the start of her fascination with sound, and the beginnings of her journey from musician, to record engineering and finally into post production mixing.

“I consider myself very lucky to be working within this talented community of people who have continually inspired me to refine my craft, and grow my love of mixing”

About this Interview:

Sherry joins me to talk about her journey from musician, composer, arranger to recording engineer in the world of records to finally Post Production Re-Recording Mixer for Television and Film. Enjoy! – Matt

Show Notes and Links

WCA #194 with Sara Carter

WCA #194 with Sara Carter

Sara Carter is a BBC trained, mixing and mastering engineer based in Hampshire, UK.

Sara started recording and mixing music in the mid 90’s as a hobby from a small home studio after playing guitar for many years. Then, in 2000 in a bold move, she decided to sell her house, give up her established career of 16 years and relocate to London to turn that hobby into her new full-time career.

She studied at the SAE Institute in London gaining an Audio Engineering Diploma and soon after secured a position as a BBC Radio Studio Manager (sound engineer) working on the UK’s most listened to radio shows, live music sessions and major music festivals across all of the BBC’s main music networks. She also created the foley and sound effects on several radio drama productions and comedy shows.

Above all, she relished working in the BBC’s Maida Vale Studios where she developed her mixing and critical listening skills, working on sessions with a wide variety of artists from Crowded House to The Cure and Adele to The Black Keys to name just a few. She’s been officially credited on records from Corrine Bailey Rae, KT Tunstall and Girls Aloud amongst others.

In 2009, Sara decided to take a break from broadcasting and left the BBC to explore a different creative interest and became a Brewer in a small award-winning microbrewery (Yes, I know a bit random but it still involved mixing, just not music!). In recent years, however, she had felt a strong calling back to music and engineering, returning to the industry with her online mixing and mastering business called Music Mix Pro. Sara is passionate about mixing music and strives to exceed her clients’ expectations and to make the whole process as rewarding as possible for both the artist and herself.

About this Interview:

Sara joins me to talk about her incredible journey that took her through the motor trade, audio at the BBC to brewing then back to audio as a freelancer. Enjoy! – Matt

Show Notes and Links

WCA #193 with Drew Vandenberg


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Working Class Audio #193 with Drew Vandenberg !!!

Drew Vandenberg is an engineer, producer and label owner based out of Athens, Georgia. He got his start working at legendary Chase Park Transductions studios when he was just 16, learning the finer points of the craft from studio founder David Barbe. He left his homebase for a time to get a degree in the recording arts from Indiana University, returning to Athens to work on pivotal records for Ra Ra Riot, Toro y Moi, of Montreal, Kishi Bashi, Tall Tall Trees, Fred Thomas, Mothers, Faye Webster, Futurebirds and dozens more. Though centralized in Athens where he lives with wife Catherine, Vandenberg often travels to engineer special projects, as well as producing and mixing remotely.
In 2018, he formed True Blue Records, a label he closely supervised, working directly with new artists The High Divers, Partials, and Curt Castle on the creation and release of their albums. The label also recently began a series of specially recorded 7″ singles, inviting bands into the studio to record exclusive material live to 1/2″ tape, pressing the results to limited edition vinyl singles and donating all of the proceeds to local charities Nuci’s Space and the Athens Boys & Girls Club Music Makers program.

About this Interview:

Drew joins me for a chat about his rise from teenage assistant to his current role as producer and engineer. We talk money, work/life balance, earthquakes vs tornados and being mindful in the studio. Enjoy! – Matt

Show Notes and Links

WCA #192 with Ryan Earnhardt

WCA #192 with Ryan Earnhardt


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Working Class Audio #192 with Ryan Earnhardt!!!

Ryan Earnhardt is a video creator and studio owner who produces a YouTube show called Creative Sound Lab. It covers recording-focused topics and out-of-the-box topics such as DIY effects. He recently built a Pooper Time Cube (A delay made from 4 inch drainage pipe) and created a reverb out of a garden hose. Creative Sound Lab stresses fundamental recording techniques and capturing real sounds such as using re-amping during mixing or using echo chambers for vocals – even if that chamber is your living room! Ryan has partnered with Brian McTear (WCA #060) of Weathervane Music and author Eric Sarafin aka “Mixerman”. Ryan started Creative Sound Lab in 2013 because he saw a need for something different than computer screen videos that mostly covered mixing topics. He currently has over 37,000 subscribers and hosts over a dozen online courses at Creative Sound Lab.tv Ryan’s studio, Lumen Audio, is debt free and supports his wife, and 4 kids. For fun he enjoys fresh mountain air, electronic music creation, and cooking…which he says is just about the same mindset as mixing a song.

About this Interview:

Ryan joins me for a chat about his studio (Lumen Audio), his Audio Courses and Youtube channel  Creative Sound Lab as well as his world of 4 kids (5th on the way!) and his journey to where he is today.  Enjoy! – Matt

Show Notes and Links

WCA #191 with Will Sadler

WCA #191 with Will Sadler

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Working Class Audio #191 with Will Sadler!!!

Will Sadler was born in Columbia, SC but within two months his parents had moved to Las Cruces, NM. After traipsing across the south, first at Mississippi State and then in the Raleigh/Durham, NC area, he returned to Las Cruces and finished a degree in Political Science. Somewhere in the midst of starting a Master’s Degree in History, Will was sidetracked by the need to correct his Tejano bands flagging sound system and the rest is history. Today, Will helps KW Sound and Hubbard’s Music aid Las Cruces in having better sound at their concerts and in their buildings. Hopefully, more often than not, succeeding.

About this Interview:

I join Will at his house for a chat about his journey from bass player to live sound engineer and installer, running a small sound company in New Mexico, the culture of Las Cruces, finding satisfaction by not joining big tours and his brush with Sudden Sensorineural Hearing Loss (SSHL) Enjoy! – Matt

Show Notes and Links

WCA #190 with David Cook

WCA #190 with David Cook
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Working Class Audio #190 with David Cook!!!

David Cook is a Audio Engineer from Columbia, SC. David graduated from Full Sail with a recording arts degree in 2001 and quickly started working in studios and doing live sound while living in Atlanta Georgia. David eventually moved back to SC where he owned a studio and continued to work in live sound. David also developed relationships with local film makers and started providing location sound and post services as well. In 2015 David and his family decided to take a chance and move to Southern California. This move was not just about moving to a new location but moving into a new vocation.

For the past 3 years David has been working in film and television as a location sound mixer. His transition has allowed him to work with companies such as Comedy Central, NBC, Hulu, Netflix, HBO, Aston Martin, Chevy, Best Buy, Pepsi, and Nickelodeon. In 2017 David’s first Feature Film , Thumper, was released on Netflix. David still works in music production and from time to time those worlds collide allowing him to record acts such as Tom Morello for the Rock and Roll Hall of Fame, James Blake Live DVD, Atlantic Artists Charlie Puth and Matt Maeson, and many others. Even though David mostly works in the Film and Television industry he still works as a Live Sound Engineer, Mix Engineer, and Audio Post Engineer. David would say that his biggest asset is his sense of community. The entertainment industry is all about relationships and that is what David does best; builds relationships

About this Interview:

David joins me for a talk about his move from South Carolina to California,  the production sound community in LA, the lessons he learned along the way and the importance of getting out and hustling instead of sitting around waiting for the phone to ring. Enjoy! – Matt

Show Notes and Links