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WCA #197 with Pete Weiss

WCA #197 with Pete Weiss

Pete Weiss is a New England-based producer/engineer/mixer/musician. His unfussy, organic, “artist first” work has earned him a reputation as an outstanding producer who can adapt to many musical genres and is unafraid to ignore stylistic conventions. Notable artists Weiss has worked with include Charlie Chesterman, Chris Brokaw, Kustomized, Slim Cessna’s Auto Club, Doug Yule, Moe Tucker, The Upper Crust, Aimee Mann, Lee Ranaldo, Bell X1, Drive-By Wire, One Happy Island, Kingsley Flood, Willard Grant Conspiracy, Two Dollar Pistols, Bow Thayer & Levon Helm, Don Lennon, Hayley Thompson-King and many others.

In 1989 he co-founded Zippah Studio in Boston. Selling his share of Zippah in 2004, he built and opened Verdant Studio, an “open room” retreat-style studio with artist lodging in rural Vermont which he now uses as a home base.

When not in the studio, Weiss fronts the instrumental band The Weisstronauts and is a member of the experimental pop collective known as Sool. He released a solo album in 1996 and three albums while fronting the subversive Pete Weiss & the Rock Band from 1995-2000. He has scored four independent films, “Methods” (1998), “Metal” (2001), “Bad Gravity” (with Sool 2006), and “The Arcadian Ideal” (2007).

He is a Senior Contributor for Tape Op Magazine, writing reviews of audio equipment as well as conducting interviews with recording industry figures. Over the years he has served on many panels & workshops at Tape Op’s and Potluck Audio conferences. In the early 1990’s Weiss authored two books on baseball, “Baseball’s All Time Goats” and “Longshots!”, both published by Adams Media.

About this Interview:

Pete joins me to talk about his early career and decision making, his transition to building a rural studio, the lessons learned in that rural environment and his decision to sell and try a different recording adventure. plus much more. Enjoy! – Matt

Show Notes and Links